Trying is the First Step Toward Failure...

Hopefully by now most of you have gained enough confidence in yourselves to try out a project or two. If you have, GOOD JOB! I’m proud of you! *hug*

If not, we’ve got more work to do.

One of the hardest lessons of life to learn is the acceptance of failure. I KNOW that those of you out there who are too afraid to start a project, probably also got all A’s in school. You’re probably very critical of yourself. You dress well, speak clearly, and keep the public parts of your house very well kept. But when you screw up, you are your worst enemy.

That’s just because you’ve never successfully learned to fail! And no, don’t go blame this on Mommy and Daddy or your first grade teacher (that poor homely woman has enough problems to deal with without your cosmic hatred). This is your chance to take responsibility, and learn to FAIL LIKE A PRO!!!

This is tough, but once you figure out how to royally screw up a project and survive, sewing, and on a more existential plane, life, will become SO much easier.

Now I’m not saying go out and buy 10 yards of fine silk and set it aflame in a symbolic tribute to nihilism. I mean, make something, and if you can’t fix it, give it to charity. They love that stuff!

When I first started sewing, my biggest irrational fear was interfacing. I didn’t know what it was, how to use it, what purpose it served, and I was much happier just staying away from it.

This was also several years ago when I had JUST started working for the fabric store I currently work for. This was also around the time I told a customer that there was no such thing as “charmeuse” and she had probably made it up. After several embarrassing situations like the charmeuse incident and my stuttering responses to questions about interfacing, I decided to face the beast, and make something with this crazy crap.

Since then, I have learned a bit about it, but not as much as I would like to. Even the almighty internet doesn’t have a great understanding of it’s specifics. One of the problems of info on sewing, I think, is that all the hardcore gurus that can tell you
anything you want on sewing, are all older and not too computer savvy. Just my theory. I know there are someGrandmas who can rock a mouse like nobody’s business. Nothing personal. The ones I’ve found that are internet friendly are not too keen on my generation.There videos and webpages are filled with comforting images of teddy bears and doilies, and their words are spoken in a soothing motherly tone. After watching these vlogs, I am not inspired to sew, but rather to find this lady's house so she can bake me cookies and crochet cozy afghans for me while I watch reruns of Ducktales cartoons from the comfort of her overstuffed couch. This is unacceptable. I need bright colors and electronic music! and I need all my information in 140 character bites! Where are the blasé twenty-somethings with peppy buzz words? Threadbanger, you have spoiled me!

I go off on too many tangents. Here’s what you want to know.

There are two main categories of interfacing: Fusible and Non- Fusible (sew-in)

Fusible just means that one or both sides are coated with a heat-activated adhesive. When you iron a fabric to the adhesive side, it bonds with it and adds extra body to said fabric.

Non- Fusible does not have this adhesive, and needs to be sewn to the fabric. This is usually best to use on very delicate fabrics, or fabrics that can’t be ironed/ take a lot of heat, such as most silks and acetate taffeta.

I’ve found that fusible works best on fabrics that are woven and made primarily of natural fibers. It’s hard to get the adhesive to stick to polyester. Sometimes I add an extra layer of just the fusing (I.e. wonder under, heat n’ bond, stitch witchery, etc) to get it to stick.

When applying fusible interfacing, the instructions say to set your iron’s heat to the highest that the fabric can handle. Say, if your using it on linen, turn the heat all the way up. If you’re using it on wool, keep it a little cooler. If your fabric is a blend, go with the weaker fabric. Like for a cotton-poly blend, set the iron to polyester heat.

Also set your iron to steam, if the fabric can handle it. (Always pre-wash your fabrics anyway!) My crappy little iron doesn’t have a steam option, so I keep a spray bottle of water close by. The extra amount of water helps to super-reinforce areas that don’t fuse as readily as I’d like them too. And it keeps the cat away.

When it comes to the weight, you generally want the interfacing to behave the same way as the fabric. (There are a few exceptions to that rule.) If your fabric is light, like charmeuse or peachskin, use a lightweight interfacing. If your fabric is heavy, like a denim or canvas, use a heavyweight interfacing. Most of the time you can use the standard non-woven stuff, but if you want the end result to have more flexibility, maybe try a woven or a knit interfacing. Because of the increased flexibility though, the fusing may come off over time.

Exceptions to the rule are based on common sense. Say you find a cute cotton fabric you want to make into a tote-bag. Of course you would want to use a heavy-weight interfacing to make it stand up. One of my friends says she uses décor-bond for her bags, but when I tried it I thought it felt like it had posterboard inside it. My personal favorite to use is Pellon’s shirt tailor, but sometimes that’s hard to find.

Or if you’re making a t-shirt quilt, you would probably want to back the t-shirt pieces with some lightweight fusible interfacing, instead of the knit interfacing. The t-shirt fabrics are all different, and some will stretch more than others. using the lightweight fusible interfacing keeps them from stretching, so the quilt wont get all wonky.

Even with all these generalizations, trial and error is still necessary. Don’t be afraid to try out a variety of interfacings in your projects, or maybe get a sample of each and try them all out on a scrap. Or maybe, if you feel so bold, ASK the salesperson about interfacing! *GASP!*

So my little chicklets, don’t be afraid to mess up something. You will not die, the fabric will not explode, and the bully from fourth grade will not suddenly enter your house to point and laugh at you. He’s already in jail for doing that to someone else. Seriously, what was his problem? That kid needed more hugs...

The worst that will happen from failing is that you might need to buy more fabric (but who doesn’t like doing that?) and that you might learn something. Remember, even Ralph Lauren didn’t know how to sew on a button at some point.

So, Sew a zipper in the bottom of your skirt? Old news. Drop your iron on your mother’s brand-new rug and burn a hole in it? Nothing new. Sew through your finger? Done it (It makes a great battle scar!)

And just to make things more interesting, maybe post in the comments or email me a story of your favorite fail moment. Sewing has been around since about 30,000 B.C. So don’t worry, whatever you did has probably been done before. By a caveman nonetheless.

See? Even he has a cape!

The wait is over. The headache is now.

IT'S

FINALLY

FINISHED.





I appreciate your patience, my little ducklings. Please forgive the excessive wait and my hyperactive facial expressions. The filming part is easy. The hard part is the editing. I was up until six this morning trying to tweak the audio so that you could actually hear it over my normally quiet sewing machine. But I have two more videos filmed, I just cant promise when I will get them up.

I'm gonna take a hard nap. As always, feel free to comment or ask questions!

Q & A session!

How does one effectively work with very ravelly materials (brocade, etc) without going completely batty? :) And this may go along with the tote bag post, but....straps. How can we attach them that they'll stay attached and not rip out when the bag is actually USED?

-KMay

KMay-

First let me say that I do NOT suggest using brocades or satins for projects if you are just starting out. These fabrics require a lot of care, energy and patience.

If you do decide to tackle this ravelly beast, however, it's best to use a SHARP size 10/70 needle or smaller, and satin pins. Brocade and satin scar very easily, so if you mess up your stitch and use a seam ripper to start again, you'll still have the holes where the needle first went in. Be very patient, you may have to trim away the frayed edges frequently, and use a larger seam allowance.

Where the edges fray, you have a few options. You can try using a special product made to reduce fraying, like No-Fray or Fray-Check. Trim away the frays and then run it along the edges and let it dry.

If you have one of the cheap brocades, like the ones they sell at JoAnns or Wal-Mart, and it's made of polyester or nylon, you can also try (MY HUSBAND IS A LAWYER) burning it. You can run a lighter along the edges until the frays curl up and melt. I assume no responsibility if you damage your fabric, burn yourself, or burn your house or anything else down.

Most of the cheap brocades can also be machine washed. Use the delicate cycle with cold water, and then hang it up to dry. You can iron them on cool, and I've even successfully used fusible interfacing on one.

Fray-checking it and burning it will make the edges feel "crunchy." In my opinion, the best way to work with it is to press and hem the edges. It keeps the edges soft and flexible.

If somehow you got your hands on a REAL silk brocade, dry clean only all the way.

As for the totebag straps, I make an X in a box where I attatch the handles. The totebag tutorial is coming along, but I'm new to using a video camera and all the movie making technology, and my husband keeps forgetting to teach me how to use it. I am, however, a MASTER when it comes to MS Paint! BEHOLD!




Love your blog so far - really helpful to an avid sewer but a bit of a newbie. I find fabric shops simultaneously candy-shop-exciting and overwhelming! What's your opinion on the best choice of fabrics to have in your stash? I mainly work with freebies and old clothes (currently too skint to buy much new) so it's usually a mix of jersey, stretchy knit, linen and denim, all seamed together (obviously, as they're old clothes!) leaving me with small pieces of fabric which I usually turn into children's clothes. I'm trying to build up a stash (at the moment it consists of some brown corduroy and some black jersey!) but go blank when I walk in a shop as to what I'm planning on making and what I need.... Wow, big ramble.

-Skippedydoodah

Skippedy-

I never thought I would be asked to give advice on which kind of fabric to hoarde. How about all of it?

It really depends on what kinds of projects you like to do. If you make a lot of crafts, like quilts, toys or home accessories (i.e. potholders) any kind of plain woven cotton is good to keep around. I myself am a sucker for cutesy prints, and if you're like me, it might be wise to buy a solid color that corresponds at the same time, so when you're ready to make that adorable apron or that convenient casserole cover, you dont get stuck looking for something that you could use for the accents. Cotton also is great for baby clothes, which you mentioned that you make already. Kids can pull off alot of those cute motifs.

If you make a lot of street clothes, I think it's good to stock up on the jersey/ interlock and bottomweight fabrics (denim, twill, anything that feels like pants). again, I think its good to have a stash of basic colors (black, white, tan, red and navy) So when you find a fabric you can't live without, you have something to accent it.

If you make a lot of suits or work clothes, again go for the plain cotton for shirts, but look for one with a higher quality or thread count. Most stores have a section specifically for suit fabric (jacket, skirt, dress pants, whatev). Charmeuse and chiffons make for great blouses, if you feel confident enough to sew with those fabrics. They are pretty tricky for the newbie seamstress.

If you make dresses, like cocktail dresses or fancy stuff, satins, taffetas, velvets, chiffons, and sheers are all good to have around. These ones are a little too intimidating to me though. I only get them if they are on sale or I have a project in mind.

If your bag is in home decor, don't keep a stash. That fabric is too expensive to just have lying around.

Regardless, I think it's always a good idea to keep a stash of muslin, different kinds and weights of interfacing, basic colors of lining, and elastic. Notions usually end up being more useful to have around than extra fabric, even though buying fabric is the most fun. :)

I hope this helps. Whenever I buy fabric, I get a cart and fill it up with stuff I like, and then when I get to the cutting counter, I weed out the ones that I can live without and just get the ones that I NEED. Everyone is different though.


My totebag tutorial should be up in about a week. Still trying to figure out how to use the camcorder.

Still Alive

I feel like it's been a long time since I've posted anything (OMG 13 days!), but I want to assure the five people who actually read this blog (including my dad.) that I am still here. I'm working two jobs and helping my husband survive law school, so I don't get much spare time, and in that time I'm practicing sewing and trying to get better so I can help anyone who needs it. So don't fret my ducklings, I'm coming up with something.

You could help me help you by asking me questions! I was planning on having an entry on how to make a quick totebag, and then one to explain interfacing a little better. But if there are other questions in your noggin about things like buttons, zippers, how much fabric you need to cover a dining room chair, please ask and I will answer!

P.S. you can cover two chairs with three-quarters of a yard of 45" or bigger.

It's Not the SIZE of the Thread, It's How You Use it!

You can always tell the newbies to sewing.

The recreational sewer will walk in and browse through the fabric. She usually goes for the pretty fabrics, whether she knows how to use them or not. She has enough experience to be somewhat confident, though, and enough money to completely scrap a failed project and buy or make a replacement.

The veterans and the professionals know the layout of the store. They march right up to the section they're looking for. They don't browse on purpose because they know they will buy something they don't need, and already have a huge stash at home. While waiting in line they will hand out extra coupons and answer other customer's questions. (They'll also sometimes loudly voice their opinions about products or techniques, whether we want to hear them or not.)

But the Newbies shuffle down the hall with wide eyes. They stand in the checkout line with full bolts of fabric. They buy lots of ribbon. They scold us for not selling every button ever made, because they can't match the one on their great-aunt Mildred's moth-eaten sweater.

They usually only want to attempt one of two things: a small home project, like drapes or a baby blanket, or they mistakenly believe it would be cheaper to recover a couch than to buy a new one. (A brand new couch costs $600-$1000. For a reupholstered old couch, the cost of fabric alone is $400-$1000 [10 yards at $40/yd], plus labor, and a pro might charge $500-$800 to do it. And Oh my God I don't care about where you got it or how much of a deal it was!!!!!)

They ask pretty standard questions: Can I use this fabric to make this? Would a yard be enough to make this?

But the question that most shows off your green is: "What kind of thread should I use to sew this?"

Of course naturally the novice seamstress is going to think of thread before she thinks of a needle. The sewing machine she found in the attic already has a needle! Why would she need another one?

Thread is important, yes. It bonds the fabric together. But after its stitched it just kinda lays there. Think of thread as glue. When you buy glue, do you buy the bottle with the spiffy little applicator tip? Or do you buy a bucket of it and smear it on with your hands?

There are a myriad of different types of needles out there. But the new sewer should only worry about the basics, the size of the needle, and the point of the needle.

The most commonly used needle size is 90/14. (14 is American and 90 is European. We can never agree on numbers.) This size is used for light to medium weight fabrics, like plain cotton and t-shirt material. It's always good to have an extra pack of these laying around.

In sewing, the smaller the number, the smaller the needle. Lightweight fabrics, like chiffon, charmeuse, or any fabric you can clearly see through, needs a lightweight needle. Needle sizes start at 60/8, but anything smaller than a 90/14 should work fine. Use your best judgment. Using a needle that is too big can leave holes in the fabric, or even worse tear the actual strands and cause the fabric to slowly unravel.

However, fabrics with a very open weave, like netting or cheesecloth, can "choke" your sewing machine by getting tangled in the bobbin mechanism. I suggest sewing these guys by hand unless you really know what you're doing.

When it comes to thicker fabrics, like denim and canvas, it's better to use a thicker needle. A 100/16 is thick enough to work with a thin denim or twill, but I usually tell customers to just grab the pack of needles that say "DENIM JEANS" at the top. Thicker fabric is less susceptible to holes and damage, but using too small of a needle can cause the needle to break, and if you make that needle mad, it's gonna come after you. Some particularly cautious people even say to use protective eyewear when sewing. At the counter, I once heard a story about how one lady's needle snapped while she was trying to sew through four layers of denim (not advised, btw). One piece of it flew up and lodged itself in her tearduct and she spent the night in the emergency room with a needle sticking out of her eye.

Another way to avoid these problems is to get the right point on your needle. There are three main points you should know, sharp, ball point, and universal.

Sharps are, well, sharp, and are good for woven fabrics. I think they're best for quilting, but I don't quilt.

Ball-points are best for knits and stretch fabrics. Sharper needles can tear the yarns in the knit, causing it to "ladder."Knits don't generally fray, so when a yarn breaks and starts to wriggle out of place, it leaves a run that kinda looks like a ladder. A ball-point needle has a rounded point so it pushes the yarns aside and leaves them unharmed.

Universals are kinda like a hybrid of the two. It's pointy like a sharp but the point is slightly rounded. They are safe to use with both wovens and knits, but if your sewing machine is skipping stitches, your best bet is to get more specific.

All-purpose thread is called that for a reason; you can use it to make pretty much anything. In fact, the only time I would say to use a different thread is if you're doing upholstery or something that is going to go outside. (Normal thread will decay faster when exposed to the elements. Go with a heavy polyester or nylon.)

Sewing takes a lot of common sense. Before you panic, just try to reason. Crafters have to be smart in order to make what they make. There's a lot of subconscious ticking going on in your dome. Take a second to listen to it. It might be easier than you think.

Helpful websites are out there too! I looked up this one in particular to make sure I had all my facts straight: http://sewing.about.com/od/sewingmachineindex/ig/Sewing-Machine-Needles/

Possibly Helpful Hints for the Panicked Halloween Crowd

I work at a fabric store, and Halloween is definitely the busiest time of year. So many people without any prior knowledge of garment construction come in looking for a way to make a last minute costume. I get so sick of hearing "How do I make this elaborate costume without sewing?" Usually I tell them spit and a prayer, but then I get a dirty look in return that seems to suggest its my job to make them this complex ensemble.

So to save us all time and a little frustration, here are my suggestions.

1. DO NOT BE MEAN TO THE EMPLOYEES. They work hard. They're generally friendly and willing to share their knowledge of the craft. Being mean (or arrogant) will get you nowhere.


2. IT'S A COSTUME. It is meant to be worn for one night. If you're lucky it will last a little longer, but it will just hog room in your closet until you throw it away in January. Don't go crazy trying to make it perfect.

3. DON'T AUTOMATICALLY GRAB THE FIRST THING YOU SEE. Merchandisers purposefully make a bunch of overpriced and cheaply made "costume" fabric, and put it up front for those quick shoppers to grab and go. Take a breath and look around a little. You might find something in the back that is more suitable. Example: One guy wanted to make an Orgazmo costume (a "porno superhero" that wears a pink spandex bodysuit.) He approached me with hot pink P L E A T H E R. A fabric that absolutely does not breathe and cost about $9 a yard. It's not for sewing novices and definitely not good for a body suit to be worn in Florida. We looked around for a bit and found a cotton knit that was both more comfortable (and less of a health risk), and it was on sale for less than half the price of the pleather! His girlfriend came into the store a few days later and actually thanked me for helping him.

4. CHANCES ARE YOU WILL NOT FIND A PERFECT MATCH. Last year there were about twenty people looking for the exact fabric that the Joker's shirt was made of in The Dark Knight. If you're looking for a solid, just get as close to the color as you can. If you cant find the color you're looking for, go with another one you like. If you're looking for an exact print, close your eyes and think about the print, and then open them and pick the one that looks most like the one in your head.


5. GLUE IS NOT THE ENEMY. Can't sew? Most of the Halloween crowd can't. It's ok. It doesn't make you any less talented to glue your costume together. Most of the cheaper pre-made Halloween costumes are made with glue. If they are sewn, most of the time, its one half-assed straight stitch. No serging, no reinforcement stitching. If you think you want to sew it to make it a little stronger (I recommend this for pants!!!) do a preemptive layer of glue and then sew over it after it dries. I personally don't like hot glue for anything that is apparel related. Get a small bottle of tacky glue (Fabri-tac, Sobo or Aleene's Tacky Glue in the gold bottle) or any other glue that says its safe to use on fabric. Just make sure to bring extra safety pins to the party.


6. KNOW YOUR MEASUREMENTS. Sometimes costume patterns will tell you to buy way more fabric than you need. Unless you are making a Ren-Fair dress or a Victorian bloomers, you probably wont need more than 6 yards for an adult costume. (That's factoring in a long-sleeved top, billowing full-length skirt, a cape, a hat, and anything else I forgot.) Generally, for adults, I say:
1 yard to cover just the torso
1 yard for long sleeves (1/4 or 1/2 for shorter sleeves)
2 to 2 1/2 yards for legs (pants or a full length skirt.)
3/4 for a shorter skirt
1 1/2 to 2 yards for shorts (you'll see why)
AT LEAST 1 1/2 yards for a short dress (even if you are short/cute!!! No one is that bootylicious!!!)
3 yards for a toga
2 yards for a cape
1 1/2 for a Witch's hat

Any other accessory (purse, hat, MJ glove) Shouldn't take more than a yard.

All these measurements should work with either 45" or 60" fabric (If the fabric is 42"-53", consider it 45", 54" and up works for 60") . If you aren't sure, or it doesn't look like it will be enough, remember that it's better to have more than less. Especially if you are accident prone.

I don't have kids, so it's probably better to trust the pattern than me for children's costumes. For really little ones, don't get more than 3 yards. Infants only need about half a yard, cause chances are they're gonna rip it off soon after you get a good picture of them in it anyway.


The most important thing to remember is to have fun. Everyone is going to be worrying about their costume too much to notice whatever imperfections are in yours, so don't worry if it's not perfect. More than likely you're gonna have to tell everyone at the party who/what you are anyway. Last year I went to a co-worker's party, after telling her about how excited I was about my costume. My husband and I went as Indiana Jones and Marion Ravenwood (from the first movie). I spent so much time making the iconic red pants and the shirt with the Moroccan embroidery. When we got to the party, my co-worker announced to everyone, "This is Jen, and she's a pirate!"

In case you didn't know already, my name is not Jen.

What do you do with a B.A. in English?

I graduated in 2008. I've been half-heartedly trying to get a job as a teacher, but rather unsuccessfully. When I was in school, I really wanted to be a teacher. When I was in college, I wanted to be a professor. Now I'm done with school. And unemployed.

I mean that in the statistical sense. I work two part time jobs, but there's no way I would be able to support myself and my husband on that income.

I started sewing when I was nine. I don't remember how it came to me, but I had a book that taught me how to make sock monkeys. It came with two pairs of the red-heeled socks, but after those were gone I started monkey-fying every other loose sock I could find. Then it moved up to sock bunnies, kitties, puppies, I had dozens of sock animals littering my room. Then I attempted to cut up a shirt to make it a camisole...

I failed. And I stuck with sock creatures until I ran out of socks.

Then when I was eleven, I went to Theatre Camp. During one of our days there, the prop designer had to handle the group, and she decided to teach us how to make drawstring bags.

This was my first time using a sewing machine. My bag turned out really well, but I wasn't too fond of the unnecessarily popularized drawstring backpack that was fashionable in the 90's. So I cast aside the product, but ingrained the technique into my brain.

When I was 16, I finally got a hold of my first sewing machine. I would sit on the floor with it and press the pedal with my knee. I didn't know anything about sewing. I didn't even know that there were stores that specifically sold fabric! I got all mine from recycled t-shirts and scraps from goodwill.

Through college, I always figured it would just be a hobby. I would be like all those other grown women who would occasionally make clothes for their children or whip up some curtains out of some old sheets.

Now that I'm out of school, and the economy has tanked, all those writing jobs are pretty much gone. Teaching jobs are scarce, but I honestly just don't wanna do it anymore. My new dream is to own my own boutique, go to fashion school. Maybe I might try out for project runway.

But the well has run dry for college funding. After 4 years of tuition costs and one big ass wedding, there is no way I can get the dinero to go to school again.

So I'm trying to get all the books and vlogs and experience tips that I can use to teach myself for now. Maybe when my husband gets out of law school we can talk about a degree in design.

Help a sistah out?